Paper and Copyists in Viennese Opera Scores  


Watermarks

Paper      P7A      
WatermarkAZ / C in crowned coat of arms
Countermark3 crescents / crossbow
Date1770 - 1775
SourceA Wn Mus.Hs._18076_1_fol102v103r96v97r
Paper millAntonio Zuanelli e compagni, Salò, Toscolano
CommentaryP40 is similar to P7: Whereas cartouche, moon and crown are identical, the watermarks differ clearly in the letters and the crossbow.
watermark countermark

Sheet P7A


Twinmark

PaperP7B
WatermarkAZ / C in crowned coat of arms
Countermark3 crescents / crossbow
SourceA Wn Mus.Hs._18076_1_fol91v90r93v92r
twin watermark twin countermark

Sheet P7B


Copyists and works

Copyists using paper P7WK71D, WK71E, WK71F, WK71K, WK71P, WK71U, WK73L, WK73U, WK74A, WK74C
Scores written on paper P7Anfossi_18047, Gassmann_17775, Gassmann_18076, Gluck_9948, Paisiello_17800

 

Copyright

Univ.-Prof. Dr. Martin Eybl

mdw - Universität für Musik und darstellende Kunst Wien.
Seilerstätte 26
A-1010 Vienna, Austria
Tel. +43 (1) 71155 - 3525
eybl[@]mdw.ac.at

Source

Forschungsprojekt: Papier und Kopisten in Wiener Opernpartituren 1760-1774 (Projektleitung: Univ.-Prof. Dr. Martin Eybl)

mdw - Universität für Musik und darstellende Kunst Wien, Institut für Musikwissenschaft und Interpretationsforschung A-1010 Wien, Seilerstätte 26

Colophon

Web interface and database programming: Emanuel Wenger (Vienna, Austrian Academy of Sciences) — Design: Vlad Atanasiu

A dataset of the Bernstein Project on watermarks and paper expertise

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