Paper and Copyists in Viennese Opera Scores  


Watermarks

Paper      P5A      
Watermarkflower / CS / C
Countermark3 crescents / M
Date1767 - 1772
SourceA Wn Mus.Hs._18076_2_fol155v154r161v160r
Paper millCarlo Samueli e compagni, Canetto, Toscolano
CommentaryP5 differs from P11 only in the letter M appearing under the three crescents in P5, whereas in P11 the place under the three crescents is empty. All other parts of the watermark are identical.
watermark countermark

Sheet P5A


Twinmark

PaperP5B
Watermarkflower / CS / C
Countermark3 crescents / M
SourceA Wn Mus.Hs._18082_4_fol71v72r73v74r
twin watermark twin countermark

Sheet P5B


Copyists and works

Copyists using paper P5WK60B, WK67B, WK69C, WK69J, WK69K, WK71A, WK71B, WK71E, WK71F, WK71H, WK71K, WK71P, WK71Q, WK71S, WK71U
Scores written on paper P5Galuppi_10026, Gassmann_17773, Gassmann_17775, Gassmann_18076, Gassmann_18080, Gassmann_18082, Piccinni_1056, Sacchini_17830, Salieri_17837

 

Copyright

Univ.-Prof. Dr. Martin Eybl

mdw - Universität für Musik und darstellende Kunst Wien.
Seilerstätte 26
A-1010 Vienna, Austria
Tel. +43 (1) 71155 - 3525
eybl[@]mdw.ac.at

Source

Forschungsprojekt: Papier und Kopisten in Wiener Opernpartituren 1760-1774 (Projektleitung: Univ.-Prof. Dr. Martin Eybl)

mdw - Universität für Musik und darstellende Kunst Wien, Institut für Musikwissenschaft und Interpretationsforschung A-1010 Wien, Seilerstätte 26

Colophon

Web interface and database programming: Emanuel Wenger (Vienna, Austrian Academy of Sciences) — Design: Vlad Atanasiu

A dataset of the Bernstein Project on watermarks and paper expertise

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