Paper and Copyists in Viennese Opera Scores  


Watermarks

Paper      P56A      
Watermark3 crescents
Selenometrie in mmxy: 18, xz: 90
Countermarklily / VV (appearing as W)
Date1763/1768 - 1774
SourceA Wn Mus.Hs._17824_1_fol81v82r83v84r
Paper millVincenzo Vicario, Toscolano
CommentaryP56 is for the most part identical with P91, it differs only in the initials placed under the ornament (lily). Whereas in P56 there are the letters VV, P91 shows a horizontally mirrored V instead. P91 is used together with P56 in mixed quires.
watermark countermark

Sheet P56A


Twinmark

PaperP56B
Watermark3 crescents
Selenometrie in mmxy: 18, xz: 93
Countermarklily / VV (appearing as W)
SourceA Wn Mus.Hs._17824_1_fol114v113r112v111r
twin watermark twin countermark

Sheet P56B


Copyists and works

Copyists using paper P56WK60X, WK67B, WK67D, WK68B, WK68C, WK68D, WK68J, WK69A, WK71K, WK72R, WK73N, WK74C
Scores written on paper P56Galuppi_1060, Galuppi_18067, Gassmann_9946, Gazzaniga_17777, Philidor_17890, Piccinni_1087, Piccinni_17824

 

Copyright

Univ.-Prof. Dr. Martin Eybl

mdw - Universität für Musik und darstellende Kunst Wien.
Seilerstätte 26
A-1010 Vienna, Austria
Tel. +43 (1) 71155 - 3525
eybl[@]mdw.ac.at

Source

Forschungsprojekt: Papier und Kopisten in Wiener Opernpartituren 1760-1774 (Projektleitung: Univ.-Prof. Dr. Martin Eybl)

mdw - Universität für Musik und darstellende Kunst Wien, Institut für Musikwissenschaft und Interpretationsforschung A-1010 Wien, Seilerstätte 26

Colophon

Web interface and database programming: Emanuel Wenger (Vienna, Austrian Academy of Sciences) — Design: Vlad Atanasiu

A dataset of the Bernstein Project on watermarks and paper expertise

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