Paper and Copyists in Viennese Opera Scores  


Watermarks

Paper      P51A      
Watermark3 crescents
Selenometrie in mmxy: 21, xz: 81
CountermarkVV (appearing as W) in crowned coat of arms
Date1774 - 1775
SourceA Wn Mus.Hs._17801_2_fol72v71r66v65r
Paper millVincenzo Vicario, Toscolano
CommentarySimilar to P28.
watermark countermark

Sheet P51A


Twinmark

PaperP51B
Watermark3 crescents
Selenometrie in mmxy: 20, xz: 81
CountermarkVV (appearing as W) in crowned coat of arms
SourceA Wn Mus.Hs._17801_2_fol70v69r68v67r
twin watermark twin countermark

Sheet P51B


Copyists and works

Copyists using paper P51WK71A, WK71D, WK71F, WK71K, WK71M, WK71Q, WK72E, WK72Z, WK73N, WK73U, WK74A, WK74B, WK74C, WK74F, WK74G, WK75A, WK75D
Scores written on paper P51Anfossi_18046, Gazzaniga_10029, Gazzaniga_17777, Paisiello_17800, Paisiello_17801, Piccinni_17824, Piccinni_OE–27, Salieri_17842

 

Copyright

Univ.-Prof. Dr. Martin Eybl

mdw - Universität für Musik und darstellende Kunst Wien.
Seilerstätte 26
A-1010 Vienna, Austria
Tel. +43 (1) 71155 - 3525
eybl[@]mdw.ac.at

Source

Forschungsprojekt: Papier und Kopisten in Wiener Opernpartituren 1760-1774 (Projektleitung: Univ.-Prof. Dr. Martin Eybl)

mdw - Universität für Musik und darstellende Kunst Wien, Institut für Musikwissenschaft und Interpretationsforschung A-1010 Wien, Seilerstätte 26

Colophon

Web interface and database programming: Emanuel Wenger (Vienna, Austrian Academy of Sciences) — Design: Vlad Atanasiu

A dataset of the Bernstein Project on watermarks and paper expertise

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