Paper and Copyists in Viennese Opera Scores  


Watermarks

Paper      P11A      
Watermarkflower / CS / C
Countermark3 crescents
Date1769 - 1771
SourceA Wn Mus.Hs._17869_1_fol170v169r176v175r
Paper millCarlo Samueli e compagni, Canetto, Toscolano
CommentaryP11 differs from P5 only in the letter M appearing under the three crescents in P5, whereas in P11 the place under the three crescents is empty. All other parts of the watermark are identical.
watermark countermark

Sheet P11A


Twinmark

PaperP11B
Watermarkflower / CS / C
Countermark3 crescents
SourceA Wn Mus.Hs._17869_1_fol171v172r173v174r
twin watermark twin countermark

Sheet P11B


Copyists and works

Copyists using paper P11WK60B, WK60R, WK69A, WK70C, WK71D, WK71E, WK71F, WK71H, WK71L, WK71M, WK71S
Scores written on paper P11Galuppi_18073, Hasse_17261, Piccinni_1056, Piccinni_17816, Sacchini_17869

 

Copyright

Univ.-Prof. Dr. Martin Eybl

mdw - Universität für Musik und darstellende Kunst Wien.
Seilerstätte 26
A-1010 Vienna, Austria
Tel. +43 (1) 71155 - 3525
eybl[@]mdw.ac.at

Source

Forschungsprojekt: Papier und Kopisten in Wiener Opernpartituren 1760-1774 (Projektleitung: Univ.-Prof. Dr. Martin Eybl)

mdw - Universität für Musik und darstellende Kunst Wien, Institut für Musikwissenschaft und Interpretationsforschung A-1010 Wien, Seilerstätte 26

Colophon

Web interface and database programming: Emanuel Wenger (Vienna, Austrian Academy of Sciences) — Design: Vlad Atanasiu

A dataset of the Bernstein Project on watermarks and paper expertise

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